"We would have proper on-set barneys," Taylor-Johnson recalled to Porter magazine in 2015. Taylor-Johnson didn't return to the franchise, at least in part due to her problems working with James-who exercised as much creative control as she could, even bringing in her husband, Niall Leonard, to write the script for the sequels, Fifty Shades Darker and Fifty Shades Freed. You see a lot, but you don't have to see anything graphic." James legendarily wanted as many scenes as possible to play out exactly as she'd written them, but Taylor-Johnson focused on "details, flesh and fingers and skin and eyes and looks." She felt if they showed too much "the mystery would be gone. There was something about not being there and having the audio that made us feel like peeping listeners, and so we all put them down." "We'd be in our trailers, but were miked, and we had cans-you know, headphones-but I actually got shy from listening. "It was a closed set, and so we couldn't be there for those very intimate scenes.but so much of the movie turns on those intimate scenes," producer De Luca explained. "I didn't want to have to come re-shoot those kinds of scenes," the director told Vanity Fair. To make everything as comfortable as possible for Johnson and Dornan during the sex scenes, Taylor-Johnson tried to downsize the crew in the room as much as possible. I'm taking it very seriously and intend to explore the nature of who this character is, what motivates him-and also dress up nice and look good in those suits."ĭays later, he exited the project, officially due to a scheduling conflict but reportedly due to creative differences with the film's creative team, including Sam Taylor-Johnson, as well as second thoughts about whether it was the right career move for him.Īs of 2017, Hunnam said he had still never seen the movie because that whole to-do was too painful of a memory.Īccording to The Hollywood Reporter at the time, Hunnam was only getting paid $125,000 up front for the role. "Because reading is so personal and people bring a character to life in their imagination, they feel ownership over that character." He added, "That's daunting if I allowed myself to think about it too much. "There are so many fans of that book and I know that on the surface, I'm probably not what everybody imagined," the British actor told Entertainment Weeklyin October 2013. And she was hired.Ĭasting rumors ran rampant as to who would play Christian and Ana ( Matt Bomer was flattered Emma Watson was not Taylor-Johnson wanted Robert Pattinson), but Charlie Hunnam really was planning to make the film his next big project after Sons of Anarchy ended. Gus Van Sant, who like Bret Easton Ellis pictured a more graphic, possibly NC-17 film, and Danish director Susanne Bier were the last two names on a shortlist that James and Focus Features had whittled down-but producer Michael De Luca had been a producer on a movie Sam Taylor-Johnson was going to do before it fell apart, and suggested she take a meeting about Fifty Shades.Īsked how she'd handle the book series' rabid fandom, she mentioned that her last movie, Nowhere Boy, had been about the Beatles. Jolie went with the adaptation of Unbroken-the beyond-inspiring story of Olympic athlete turned World War II pilot Louis Zamperini, who crashed, survived 47 days floating in a life raft and then survived a POW camp-for her follow-up project instead. There came word in June 2012 that Angelina Jolie had-if there was any truth to the rumor at all- perhaps had an informal discussion about directing the movie, having made her feature directorial debut in 2011 with Land of Milk and Honey. I was able to watch something that everybody was speculating about sort of unfold in front of me." "The set was on lockdown, and it was just really fascinating. "I had never been on a project with that much secrecy around it," Bomback later told The Hollywood Reporter about the experience. The Wolverine scribe Mark Bomback was brought in to polish the Fifty Shades script in late October 2013. Travers to let him make a movie about her magical nanny. Banks-about Walt Disney's struggle to get Mary Poppins author P.L. Instead, Universal's Focus Features went with Kelly Marcel, who had penned the screenplay for Saving Mr. But this is a really good story, and it would make a really good movie." "I realized, Oh, this isn't well written. If it had not been as big of a hit, I would not have picked it up," Ellis later told Vanity Fair. American Psycho author Bret Easton Ellis tweeted in June 2012, "I'm putting myself out there to write the movie adaptation of 'Fifty Shades of Grey'." And he meant it, publicly lobbying via Twitter and telling whomever would listen that he wanted to adapt E.L.
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